While most of the art world’s focus is on artworks, it is largely through archives that the histories of artists, movements, markets, and activism are told. Through their open-ended complexity, they offer alternatives to the usual art-historical narratives. This is one of the reasons we focus our energies on preserving artists’ archives and making them available to broader publics.

In-House Archiving Program

Our In-House Archiving program provides free cataloging, preservation and selective digitization for artists and art organizations that want to make their archives accessible, but may lack the resources or expertise to do so. Archives are loaned to us while we preserve and catalog them. We do not hold a permanent collection.

Because our goal is to significantly increase public access to archival materials, after we complete processing, the selected artists or organizations either make their archives accessible through their own programs and systems, or donate the archive to a collecting institution with the resources to provide robust public access to researchers. The choice is theirs.

Potential archives are nominated by our advisors and others in the field, or self-nominated. We then begin a series of conversations with people to learn more about their collections, the challenges they face, and their aspirations for the future. If you are interested in being considered for this program, please contact us at info@hauserwirthinstitute.org

How do We Define Archives?

The term is used in many ways, but for the purposes of our In-House Archiving program we are referring to the papers and records that document an artist’s or art organization’s work. The Society of American Archivists definition can be helpful: Archives are the records created or received by a person, family, or organization and preserved because of their continuing value. The papers of artists and the archives of community groups, galleries and collectives tend to contain items like letters, emails, notebooks, photo documentation, meeting minutes and other primary sources, both analog and digital.

One way we like to think about what defines an archive is in terms of process. If artworks are (generally) the finished products of an artistic practice, the archives of individual artists and the records of arts organizations are the materials that document the process.

Research + Access

We seek to accommodate researchers requesting onsite access to the archives in our care whenever possible, contingent on the condition of materials and the stipulations of the archives’ lenders. In some cases, we may also be able to support remote reference requests. Research requests can take two weeks or longer to process. Please email info@hauserwirthinstitute.org to inquire about research.

Archive

Dieu Donné Archives

Hauser & Wirth Institute is processing the institutional archives of Brooklyn-based papermaking organization Dieu Donné.

Archive

The Drawing Center

The Institute is digitizing a portion of the institutional archive of The Drawing Center, and facilitating the donation of the full archive to a major research library.

Archive

Jesse Murry Papers

The Institute is processing and selectively digitizing the archive of painter, poet, and art critic Jesse Murry, and will support the Jesse Murry Foundation in finding a permanent home for donation of the collection.

Archive
Colorful abstract painting by Mary Dill Henry

Mary Dill Henry Papers

The Institute has processed and digitized the papers of American abstract painter Mary Dill Henry. This archive includes sketchbooks, photographs, letters, artist statements, press clippings, and records of Henry’s professional graphic design work.

Archive
Art installation with a red, white, and blue sphere, brown boxes, colorful buckets, extension cords, and neon lights

Jason Rhoades Archive

We are processing and digitizing the archive of Jason Rhoades. The archive comprises material documenting the artist's monumental, room-filling installations, along with slides, photographs, receipts, correspondence, drawings, notebooks, and audiovisual material.