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Mary Dill Henry Papers

Colorful abstract painting by Mary Dill Henry

Mary Dill Henry, Love Jazz, 1965 © Estate of Mary Dill Henry, courtesy Berry Campbell

Hauser & Wirth Institute has processed and digitized the papers of American abstract painter Mary Dill Henry (1913 – 2009). The collection, assembled by her family,  includes sketchbooks, photographs, letters, artist statements, press clippings, and records of Henry’s professional graphic design work. Now complete, the Institute has assisted the estate in placing the archive and the full collection can be seen at the Paul V. Galvin Library’s University Archives and Special Collections at Illinois Institute of Technology, Henry’s alma mater, where it will be housed for long-term preservation and public access.

Henry attended the California College of the Arts and studied with László Moholy-Nagy in Chicago before taking a break from her art practice while raising a family and working in design. In the 1960s she moved to Mendocino, California and recommitted herself to painting. Henry moved to Washington State in the late 1970s and settled on Whidbey Island, where she lived alone for the rest of her life. She had many solo shows in the Pacific Northwest throughout the 1990s and 2000s, where her works are in several public collections. Henry’s entire collection is represented by Berry Campbell Gallery in New York.

Selected Archival Material

Hauser & Wirth Institute digitized the entirety of the Mary Dill Henry Papers, excepting oversize materials. A selection of images from the archive can be seen below, including photographs and documents from Henry’s time as a student at the Institute of Design in Chicago; photographs of Henry’s commercial design work; photographs and documents from Henry’s career as a painter; drawings from Henry’s sketchbooks; and photographs and writings related to Henry’s gardens. More images from the archive can be seen at Paul V. Galvin Library’s University Archives and Special Collections.

Institute of Design

Henry constructing a metal sculpture, 1945-1946

Two-sided

Emerson Woelffer and Henry, 1945

Two-sided

Photography lesson, 1946

Two-sided

Wire sculpture, 1946

Two-sided

Sculpture, 1946

Two-sided

Photography lesson, 1946

Two-sided

Institute of Design report card, 1946

One-sided

Institute of Design report card envelope, 1946

Two-sided

“Design Direction,” Book 1 of 2, 1946

64 images

Commercial Design Work

Mural for Hewlett-Packard, 1958
Two-sided
Mural for Hewlett-Packard, 1958
Two-sided
Mural for Hewlett-Packard, 1958
One-sided
Henry and mural for Hewlett-Packard, 1958
One-sided
Mosaic for Hewlett-Packard, 1960
One-sided
Mural for No. County Court House, undated
One-sided
Design for mosaic fireplace wall, Plummer residence, Houston, Texas, undated
One-sided
Henry painting a mural in a cocktail lounge, ca. 1955-1964
One-sided
Mosaic for the Federal Art Project, undated
Two-sided
Mosaic for First National Bank of San Jose, California, 1959
One-sided
Venetian glass mosaic for the First National Bank of San Jose, California, 1959
Two-sided
Mosaic for The First National Bank of San Jose, Palo Alto, 1958
One-sided
Mosaic for The First National Bank of San Jose, Palo Alto, 1958
Two-sided
William R. Hewlett letter, 1989
One-sided
Henry and mural for Hewlett-Packard, 1958
Two-sided

Painting Career

Henry surrounded by her paintings, 1966
One-sided
Letter from Ampex Corporation, 1966
One-sided
Mary Henry at Ampex, contact sheet, 1967
Two-sided
Mary Henry at Ampex, photograph, 1967
0 images
Mary Henry at Ampex, announcement, 1967
Two-sided
Mendocino Seascape Series announcement, 1971
One-sided
I want to paint statement, 1973
One-sided
Artist’s statement, 1988
One-sided
Arthead Gallery press release, 1988
One-sided
Mary Henry: Selected Works announcement, 1988
Two-sided
Henry with Director of Whatcom Museum, 1988
Two-sided
Henry at Whatcom Museum opening, 1988
Two-sided
Exhibit of Works by Artist, Mary Henry checklist, 1988
3 images
Mary Henry: Non-Objective Works announcement, 1993
Two-sided
Mary Henry: Non-Objective Works press release, 1993
Two-sided
Mary Henry: In the Gardens of Myth and Logic announcement, 2002
Two-sided
Mary Henry: In the Gardens of Myth and Logic press release, 2002
One-sided
Mary Henry: In the Gardens of Myth and Logic handout, 2002
One-sided
Mary Henry: In the Gardens of Myth and Logic checklist, 2002
One-sided

Sketches

Antequera, Spain sketch, 1963
One-sided

Cages Theme sketch, 1963

One-sided
On the way to Barcelona from Madrid... sketch, 1963
One-sided
Avignon sketch, 1963
One-sided
Vence Sketch, 1963
One-sided
Beach, Mendocino sketch, 1968
One-sided
Sand flow by wind, by water sketches, 1971
One-sided
Here Comes the Sun sketches, 1971
One-sided
Sketch, 1974
One-sided
Root 5 rectangle drawing, 1977
One-sided
Sketch, 1991
One-sided
Sketch, 1978
One-sided
Sketches, 1995
One-sided
Sketch, 1991
One-sided

Mary's Garden

Henry in the garden at Mendocino, late 1960s
0 images
Henry in her backyard in Mendocino, 1969-1970
0 images
Obelisk in Henry's yard, Whidbey Island, 1984
0 images
Henry's garden with obelisk in background, Whidbey Island, 1984
One-sided
Henry's garden in spring, Whidbey Island, ca. 1984
0 images
Henry's garden, Whidbey Island, ca. 1984
One-sided
Henry's garden, Whidbey Island, spring 1983
0 images
Henry's garden, Whidbey Island, spring 1983
0 images
Henry's garden, Whidbey Island, spring 1983
0 images
Henry's home and garden, Whidbey Island, spring 1983
0 images
Henry's garden, Whidbey Island, summer 1985
0 images
Henry’s house and grounds, Whidbey Island, circa 1982
One-sided

Hauser & Wirth Institute is committed to equity and creative transformation in the field of artists’ archives.

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©2025 Hauser & Wirth Institute
info@hauserwirthinstitute.org
@HAUSERWIRTHINSTITUTE

Hauser & Wirth Institute is committed to equity and creative transformation in the field of artists’ archives.

Join our mailing list
©2025 Hauser & Wirth Institute
info@hauserwirthinstitute.org
@HAUSERWIRTHINSTITUTE